Installation Views, Elders and Roots, Richmond Art Gallery 2014
Installation Views, Elders and Roots, Richmond Art Gallery 2014
March 29 — April 26, 2014
Opening reception: Saturday March 29, 2pm — 4pm
Monte Clark Gallery presents an exhibition of new works that explore ideas of verticality. The show incorporates both two-dimensional and sculptural works installed throughout Monte Clark Gallery’s two main exhibition spaces.
To coincide with the Canadian Art Hop, writer and collector Claudia Beck will give a talk on Saturday April 12th at Monte Clark Gallery.
For exhibition previews, please contact Matt McGale
matt@monteclarkgallery | 604-730-5000
For further press info and images, please contact Lindsay Inouye
[email protected] | 604-730-5000
Solo Exhibition, Evan Lee: Elders and Roots, Richmond Art Gallery
Ruptures in Arrival: Art in the Wake of the Komagata Maru
Please join us at the Surrey Art Gallery
Saturday, April 12
Talk with exhibiting artist Ali Kazimi: 6:30-7:30pm
Opening Reception: 7:30-9:30pm (Formal Remarks: 7:45pm)
If you’re on Facebook, join the event and let us know you’re coming!
ABOUT RUPTURES IN ARRIVAL: ART IN THE WAKE OF THE KOMAGATA MARU
Marking the 100th anniversary of the Komagata Maru episode, Surrey Art Gallery’s group exhibition Ruptures in Arrival: Art in the Wake of the Komagata Maru brings together for the first time a cross-section of visual art related to this history, and presents these works alongside art that addresses more recent histories of mass migration from Asia to Canada’s West Coast. Ten artists from Canada and India contribute works – in a wide range of media including painting, drawing, photography, sculpture, 3D film, and installation art – that explore history’s relationship to memory, mass media’s affects on personal experience, the creative use of fact and fiction, and the visual narratives of transpacific mass migration. Over the course of the exhibition, events such as artist’s talks, film screenings, tours, Family Day, and a symposium make for a deeper connection to the artworks and the ideas behind them. This exhibition continues until June 15.
The Komagata Maru was a Japanese steamship that sailed to Vancouver in 1914, carrying 376 passengers from Punjab, India. Only 23 passengers were allowed to land, and following 2 months of detention in Vancouver’s harbour the ship was forced to return to India. The Komagata Maru episode has come to reflect a troubling moment in Canadian history when the federal government’s discriminatory immigration policies coincided with widespread racism among mainstream Canadian society. The episode had tragic consequences for many individuals. It has become an important locus for conversations on Canadian history, identity, and citizenship. The Ruptures in Arrival: Art in the Wake of the Komagata Maru exhibition reveals the frequently overlooked contribution to these conversations from contemporary Canadian and international visual artists.
Ruptures in Arrival: Art in the Wake of the Komagata Maru features a diverse set of imagery in a variety of media by artists Roy Arden, Avantika Bawa, Ali Kazimi, Evan Lee, Ken Lum, Mass Arrival (Farrah Miranda, Graciela Flores, Tings Chak, Vino Shanmuganathan, Nadia Saad), Raghavendra Rao, Haris Sheikh, Jarnail Singh, and Paul Wong.
Portland-based artist Avantika Bawa uses large-scale drawing and sculptural installation to reinterpret the original route of the Komagata Maru and its passengers’ journey from Asia to Canada and back again. Toronto filmmaker and new media artist Ali Kazimi has created a new immersive 3D film installation that presents a series of vignettes about everyday life for South Asian Canadians on shore during the time of the Komagata Maru’s detention in Vancouver’s harbour. Surrey-based artist Jarnail Singh will present the newest and largest in a series of paintings he has been working on about the Komagata Maru episode. Evan Lee, a Vancouver-based artist, has created a new set of inkjet prints using 3D digital modelling based on press photography from the arrival of two boats to Canada’s West Coast: the MV Ocean Lady from Sri Lanka in 2009, and the MV Sun Sea from China’s Fujian province in 1999.
Surrey Art Gallery gratefully acknowledges the financial assistance of City of Surrey, BC Arts Council, Canada Council for the Arts, Government of Canada through the Department of Canadian Heritage, and Vancouver Foundation.
About Komagata Maru 1914 – 2014: Generations, Geographies & Echoes
Ruptures in Arrival: Art in the Wake of the Komagata Maru is presented in partnership with Komagata Maru 1914 – 2014: Generations, Geographies & Echoes, a collaboration between eight organizations across Metro Vancouver that are presenting events and exhibitions related to the living legacies of the Komagata Maru episode. www.komagatamaru100.com
Also on Exhibit
Also on exhibit is BogScape, a sound art installation inspired by Burns Bog by Surrey-based media artist Matt Smith. BogScape is part of Open Sound 2014: Sonorous Kingdom, an exhibition about sound and vegetation.
Image: Raghavendra Rao, Visions of the living past 10, 2013, acrylic on canvas. Image courtesy of the artist.
Surrey Art Gallery
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Surrey Urban Screen
Established in 1975, Surrey Art
Gallery is a contemporary art museum
specializing in exhibitions and
education. Internationally recognized,
the Gallery showcases diverse artistic
practices – including digital and audio
art – by local, national and
international artists. Gallery
interpretive programs include talks,
workshops and school programs, with
artists, educators and other
specialists. The Gallery offers courses
for all ages, and from introductory to
advanced levels. Since 2010, the
Gallery has showcased artworks at
Surrey Urban Screen, its satellite
venue in the City’s centre.
From Nature, Equinox Gallery
Raymond Boisjoly, Stan Douglas, Ali Kazimi, Vanessa Kwan, Evan Lee and Cindy Mochizuki
TO|FROM BC Electric Railway: 100 Years (September 15 – November 10, 2012)
2 West Hastings St.
Vancouver, BC, Canada, V6B 1G6
On the Nature of Things
To many Canadians the title of this exhibition will bring to mind David Suzuki’s longstanding science and nature television series of a similar name. However, in the context of this art exhibition the title is meant to summon up the words and images created by Roman poet and philosopher Lucretius in his epic poem De rerum natura. Its purpose was to explain Epicurean philosophy to Roman audiences in the 1st century BC.
In keeping with Lucretius’ clinamen principle, the exhibition On the Nature of Things is organized with a multi-directional and non-linear curatorial approach that highlights individual artistic practices through a close reading of specific works. Rather than choose one specific theme or medium to pursue, the exhibition introduces a number of subjects (or avenues) to explore. The artists in this exhibition share an interest in returning to strikingly Modernist forms and structures. Sampling from a wide range of sources as diverse as advertising, found photographs, driftwood and modernist art, these artists employ surrealist wit to repurpose clichéd forms from our everyday urban environment and popular culture into extra-ordinary aesthetic tropes that challenge a stable understanding of both art and our modernity.
The artists include Kim Kennedy Austin, Andrew Dadson, Sarah Dobai, Rodney Graham, Alexander Gutke, Sofia Hulten, Jack Jeffrey, Evan Lee, Kristi Malakoff, Shannon Oksanen, Kathy Slade, Gordon Smith, T&T (Tony Romano and Tyler Brett), Jacques de la Villeglé, and Neil Wedman.
Guest curated by Patrik Andersson
Sponsored by B-100 and Jane Irwin & Ross Hill
Presentation House Gallery
AGAIN AND AGAIN AND AGAIN
Serial Formats and Repetitive Actions
Vancouver Art Gallery
May 12 to September 3, 2012