The series Flashers examines self-representation nude selfies found online. Each of them was taken in the mirror with flash, resulting in overexposed area that obscures the identity of the subject. Collectively, the images are a testament to the change that aesthetics, photography and sexuality have undergone due to the development of digital photography and the Internet.
The artist approaches this material in a way that reflects these shifts: he experiments with printing on the back of expired photographic paper and works over the still-wet pigment ink using a paintbrush. This results in a unique (un-duplicable) image that is faint and distorted, and resembles a painting, while remaining fundamentally a photograph. The substrate’s watermark, which reads “KODAK PROFESSIONAL PAPER”, once the proud hallmark of Kodak’s analog photographic legacy, remains visible in the overexposure.
This series features individual studies of 36 different ginseng roots, an herb used in traditional Chinese medicine and by other cultures. These captures are inspired by the botanical specimen photographs of Karl Blossfeldt. It is said that Ginseng Roots resemble the human form, especially in their dried, withered form. Through the scanning process, they come alive, suggesting people, animals and other creatures.
This project has been adapted for a permanent public artwork at River Park Place, Richmond, BC in 2016.
Manual Labour is a video loop comprised of black and white still images depicting an elderly labourer at work and rest at a residential construction site in east Vancouver. The silent procession of images is interrupted briefly when the homeowners arrive for a site visit. The video loop has been exhibited as a projection, and installed in the window of a door to a gallery that remained closed for the duration of the exhibition.
photo-collage, 15 images, edition of 3, 10.25 x 10.25 inches
Phoropter Studies is a series of photo-collage works made using studies of vintage optometry instruments to explore vision and optics. The artist, who has worn glasses for most of his life, began collecting phoropters, a device used by optometrists to measure vision. The works have a disorienting three-dimensional quality, which was further explored in the sculpture.