Category Archives: All Exhibitions

Exhibition: Geometry of Knowing, SFU Galleries

Geometry of Knowing

Part 1: SFU Gallery, Burnaby, JAN 15 – FEB 28, 2015
Part 2: Audain Gallery, Vancouver, JAN 15 – FEB 28, 2015
Part 3: SFU Gallery, Burnaby, MAR 21 – MAY 15, 2015
Part 4: Audain Gallery, Vancouver, MAR 19 – MAR 28, 2015

Geometry of Knowing is a group exhibition that investigates approaches to the acquisition of knowledge in the full mind-body-spirit sense of intelligence. Organized in four parts and presented across two galleries located in a post-secondary pedagogical institution, the objective of the project is to investigate the way in which artists engage tactics of fieldwork, embodiment and materiality in a manner that reveals or instigates a process of knowing. In this moment of increasing standardization and specialization regarding how people learn, art is a space for innovative thinking and experimentation outside given frameworks.

Many works in the exhibition engage hybrid forms of fieldwork, borrowing methodologies and tools from anthropology, hunting, marine navigation, chemistry, herbology and horticulture. For example, Kika Thorne’s new sculptural work, The Question of a Hunch, extends her ongoing interests in geometry, the visible spectrum and magnetism as a field upon which to project questions regarding chemical composition and its political ramifications.

Knowing through embodiment calls into play the geometry of sense perception, communication and collaboration between artists and physical enactments. For example, Carole Itter’s 1979 photographic series, Euclid, documents musician Al Neil tracing Euclidean geometric theorems in the sand at Cates Park in North Vancouver. These images were projected as part of a collaborative live performance with Al Neil on piano, used on Neil’s Fog and Boot album cover, as well as existing as photographic works in their own right.

Manipulating materials, forms and images is a fundamental aspect of artistic production and transfigures how we experience, interpret and know the world. Camille Henrot’s 2011 video, The Strife of Love in a Dream, for example, composes a visual atlas of strategies to conquer anxiety and fear through mythology, medicine, religion, art, ritual and tourism.

At SFU Galleries, we understand the university as a site of knowledge production, dissemination and acquisition. Its architecture is spatial and social, formalizing communal inquiry, contemplation, critique and invention. Situated in this architecture, the exhibition imagines the open geometry of the gallery as a context to re-examine how the visual and material languages of contemporary art generate experiential, emotional, physical, environmental and intuitive intelligence. The exhibition Geometry of Knowing explores emerging and reclaimed forms of knowledge as tools to frame how artists consider ways of witnessing, being with, querying and generating.

The exhibition includes work by over thirty Canadian and international artists across the first three parts, including works from the SFU Art Collection. The fourth component is constituted as an SFU School for Contemporary Arts visual arts course in which students respond to the exhibition’s theme through archival research.

Part 1: Derya Akay, Eli Bornowsky, Neil Campbell, Julia Feyrer, Lawren Harris, Roy Kiyooka, Michael Morris, Gordon Smith, Frank Stella, Takao Tanabe. Part 2: Abraham Cruzvillegas, Michael Drebert, Jimmie Durham, Jeneen Frei Njootli, Sandra Hanson, Camille Henrot, Dawn Johnston, Brian Jungen, David MacWilliam, N.E. Thing Co., Kara Uzelman, Brent Wadden. Part 3: Josef Albers, BC Binning, Lee Bontecou, Brian Fisher, Carole Itter, Devon Knowles, Evan Lee, Bruce Nauman, Hannah Rickards, Kika Thorne, Brent Wadden. Part 4: Students from the SCA

Curated by Amy Kazymerchyk and Melanie O’Brian. Supported by a Project Grant from the Canada Council for the Arts.

Events

Opening Reception and event with Jeneen Frei Njootli and Kara Uzelman
Wednesday, JAN 14, 2015, 7pm
Audain Gallery

Jeneen Frei Njootli will perform with handmade instruments crafted from female vadzaih (caribou) that embrace and disrupt the hybridity of the Athabascan fiddle in Vuntut Gwitchin culture. Kara Uzelman will provide hospitality with brews that she grew and wildcrafted in Saskatchewan following research into traditions of medicinal fermentation and psychotropic experimentation at the University of Regina.

Event with Derya Akay and Julia Feyrer
Sunday, FEB 15, 2015, 12pm
SFU Gallery

A walk, talk, soil to plow, sow, drink and wait… will explore cycles of harvest and hospitality with Derya Akay and Julia Feyrer in relationship to their works in the exhibition.

Opening Reception: SFU Visual Art 3rd Year Student Exhibition
Wednesday, MAR 18, 2015, 7pm
Audain Gallery

Exhibition presented by 3rd Year SFU Visual Arts students. Details to come.

Event with Kika Thorne
Saturday MAR 21, 2015, 12pm
SFU Gallery    

Extending from her work in the exhibition, Kika Thorne will facilitate a conversation with a scientist and a climate activist on the process of creating a carbon dioxide filter. Whether the process is one of reality or fantasy, the conversation considers engineering and activism in a long line of artistic gestures

Exhibition: Border Cultures: Part Three (security, surveillance) Art Gallery of Windsor

Border Cultures: Part Three (security, surveillance)

January 31 – May 10, 2015

PARTICIPATING ARTISTS
Bambitchell (Canada), Yto Barrada (Morocco / France), Patrick Beaulieu (Canada), Rebecca Belmore (Canada), Mahwish Chishty (Pakistan / USA), Harun Farocki (Germany), Chitra Ganesh and Mariam Ghani (Afghanistan / India / USA), Tory James and Alex McKay (Canada), Shelagh Keeley (Canada), Osman Khan (USA), Evan Lee (Canada), Victoria Lomasko (Russia), Dylan Miner (Métis), Trevor Paglen (USA), Camal Pirbhai and Camille Turner (Canada), Tazeen Qayyum (Canada / Pakistan), Jose Séoane (Canada / Cuba), Charles Stankievech (Canada), Hito Steyerl (Germany), Syrus Marcus Ware (Canada / USA), Tintin Wulia (Australia / Bali)

Three years ago, the AGW launched Border Cultures, a series of exhibitions which deepen our understanding of what is means to be a border city in the 21st century. Located in the southernmost part of Canada across the river from the USA, Windsor is an important site for the arrival and departure for Indigenous, settler and migrant communities. Crisscrossing the geographic and national boundaries for generations in search of freedom, land, work and security, the collective memory, (oral) histories and cultures on these lands are at once deeply interwoven and splintered along colonial, racial and economic lines.

This three-part exhibition was conceptualized as a research platform, bringing together regional, national and international artists to examine the complex and shifting notions of national boundaries. With Border Cultures: Part One (homes, land) (2013), ten artists explored ideas of home, exile, citizenship and nationhood in our globalized world. As capital flows more easily than people to meet the demands of our consumer-based societies, questions of mobility across borders guided Border Cultures: Part Two (work, labour) in 2014. Fifteen artists examined the in-between space of the borderlands, where free-flowing capital and the uneasy movements of the stratified work force encounter one another.

In the final iteration of this series, Border Cultures: Part Three (security, surveillance) examines the impact of heightened militarization along national boundaries that has intensified deportations, detentions and mechanisms of surveillance of migrants and foreigners. The culture of fear accelerated the latent colonial hierarchies across North America with missing Aboriginal women in Canada and incarceration of black men in America, urging us to reconsider questions of security and citizenship. Moving back and forth between these internal and external boundaries, Part Three proposes the border as a site of struggle between personal subjectivities and systems of power. Artists are the key agents here as their work moves from the symbolic and materiality of the border to a psychological and intimate space of despair, hope and desire.

The Border Cultures exhibition series has been presented with the generous support of the TD Bank Group.

Curated by Srimoyee Mitra

Solo Exhibition, Monte Clark Gallery, 12 July 2014 – 9 August 2014

courtesy Monte Clark Gallery / David James / The Kreative

 

EVAN LEE

JULY 12 — AUGUST 9, 2014

TALK: SATURDAY JULY 12, 1PM
FOLLOWED BY OPENING RECEPTION: 2PM — 4PM

In Evan Lee’s solo exhibition of new works at Monte Clark Gallery, the artist recreates, transforms, and expands upon found news media images depicting protest and migration through sculpture, mixed media, and paintings.

In contrast to popular, ubiquitous images of revolution and provocation (such as Alberto Korda’s portrait of Che Guevara, or the graffiti works of Banksy), the found press images that Lee refers to are markedly non-iconic, from nameless and faceless Black Bloc protesters to migrants whose identities have been obscured by the press. Lee approaches these images from a perspective of speculation, creating artworks that either reconstruct or further obscure the subjects. This dual process amplifies the missing details and facts that are not included in the original press images or their accompanying news stories, pointing to an inherent confusion or lack of clarity surrounding the actual events.

This exhibition includes large-scale black and white paintings where silhouettes of marching Black Bloc protesters have been repeated in a motif that borders on abstraction; mixed media works where ink and gesture further obscure printed depictions of individual hooded and masked protesters; a 3D printed model of the Ocean Lady vessel which carried Tamil asylum seekers from Sri Lanka to Canada in 2009; earth-toned, classical style oil portraits of the same migrants created in composite from blurry or pixelated press images and online searches; and a video that recreates the burning of a Danish flag, which was originally enacted by protesters in response to anti-Muslim cartoons that were published in Denmark. The works engage in a dialogue with news media images of protest, the interpretation of these images, their biases and their influence.

Evan Lee lives and works in Vancouver, BC Canada. He has been published in Canadian Art Magazine, Art on Paper, Border Crossings, Flash Art, Yishu Journal of Contemporary Chinese Art and numerous other venues. Lee has recently exhibited at the Vancouver Art Gallery, the Surrey Art Gallery, the Presentation House Gallery, and the Richmond Art Gallery. Lee is shortlisted for the 2014 Sobey Art Award and will be exhibiting with the other finalists at the Winnipeg Art Gallery in the fall.

For exhibition previews, please contact Matt McGale
matt@monteclarkgallery | 604-730-5000

For further press info and images, please contact Lindsay Inouye
lindsay@monteclarkgallery.com | 604-730-5000

Copyright © 2014 Monte Clark Gallery All rights reserved.

Our mailing address is:
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Vancouver, BC V5T 1E1

Monte Clark Gallery · 105 – 525 Great Northern Way · Vancouver, BC V5T 1E1 · Canada

Exhibition: Tower, Monte Clark Gallery

March 29 — April 26, 2014
Opening reception: Saturday March 29, 2pm — 4pm

Monte Clark Gallery presents an exhibition of new works that explore ideas of verticality.  The show incorporates both two-dimensional and sculptural works installed throughout Monte Clark Gallery’s two main exhibition spaces.

To coincide with the Canadian Art Hop, writer and collector Claudia Beck will give a talk on Saturday April 12th at Monte Clark Gallery.

For exhibition previews, please contact Matt McGale
matt@monteclarkgallery | 604-730-5000

For further press info and images, please contact Lindsay Inouye
lindsay@monteclarkgallery.com | 604-730-5000

Exhibition: Ruptures in Arrival…, Surrey Art Gallery

Read it online

NEW EXHIBITION
Ruptures in Arrival: Art in the Wake of the Komagata Maru

Please join us at the Surrey Art Gallery
Saturday, April 12

Talk with exhibiting artist Ali Kazimi: 6:30-7:30pm
Opening Reception: 7:30-9:30pm (Formal Remarks: 7:45pm)
Free

If you’re on Facebook, join the event and let us know you’re coming!

ABOUT RUPTURES IN ARRIVAL: ART IN THE WAKE OF THE KOMAGATA MARU

Marking the 100th anniversary of the Komagata Maru episode, Surrey Art Gallery’s group exhibition Ruptures in Arrival: Art in the Wake of the Komagata Maru brings together for the first time a cross-section of visual art related to this history, and presents these works alongside art that addresses more recent histories of mass migration from Asia to Canada’s West Coast. Ten artists from Canada and India contribute works – in a wide range of media including painting, drawing, photography, sculpture, 3D film, and installation art – that explore history’s relationship to memory, mass media’s affects on personal experience, the creative use of fact and fiction, and the visual narratives of transpacific mass migration. Over the course of the exhibition, events such as artist’s talks, film screenings, tours, Family Day, and a symposium make for a deeper connection to the artworks and the ideas behind them. This exhibition continues until June 15.

The Komagata Maru was a Japanese steamship that sailed to Vancouver in 1914, carrying 376 passengers from Punjab, India. Only 23 passengers were allowed to land, and following 2 months of detention in Vancouver’s harbour the ship was forced to return to India. The Komagata Maru episode has come to reflect a troubling moment in Canadian history when the federal government’s discriminatory immigration policies coincided with widespread racism among mainstream Canadian society. The episode had tragic consequences for many individuals. It has become an important locus for conversations on Canadian history, identity, and citizenship. The Ruptures in Arrival: Art in the Wake of the Komagata Maru exhibition reveals the frequently overlooked contribution to these conversations from contemporary Canadian and international visual artists.

Ruptures in Arrival: Art in the Wake of the Komagata Maru features a diverse set of imagery in a variety of media by artists Roy Arden, Avantika Bawa, Ali Kazimi, Evan Lee, Ken Lum, Mass Arrival (Farrah Miranda, Graciela Flores, Tings Chak, Vino Shanmuganathan, Nadia Saad), Raghavendra Rao, Haris Sheikh, Jarnail Singh, and Paul Wong.

Portland-based artist Avantika Bawa uses large-scale drawing and sculptural installation to reinterpret the original route of the Komagata Maru and its passengers’ journey from Asia to Canada and back again. Toronto filmmaker and new media artist Ali Kazimi has created a new immersive 3D film installation that presents a series of vignettes about everyday life for South Asian Canadians on shore during the time of the Komagata Maru’s detention in Vancouver’s harbour. Surrey-based artist Jarnail Singh will present the newest and largest in a series of paintings he has been working on about the Komagata Maru episode. Evan Lee, a Vancouver-based artist, has created a new set of inkjet prints using 3D digital modelling based on press photography from the arrival of two boats to Canada’s West Coast: the MV Ocean Lady from Sri Lanka in 2009, and the MV Sun Sea from China’s Fujian province in 1999.

Surrey Art Gallery gratefully acknowledges the financial assistance of City of Surrey, BC Arts Council, Canada Council for the Arts, Government of Canada through the Department of Canadian Heritage, and Vancouver Foundation.

About Komagata Maru 1914 – 2014: Generations, Geographies & Echoes
Ruptures in Arrival: Art in the Wake of the Komagata Maru is presented in partnership with Komagata Maru 1914 – 2014: Generations, Geographies & Echoes, a collaboration between eight organizations across Metro Vancouver that are presenting events and exhibitions related to the living legacies of the Komagata Maru episode. www.komagatamaru100.com

Also on Exhibit
Also on exhibit is BogScape, a sound art installation inspired by Burns Bog by Surrey-based media artist Matt Smith. BogScape is part of Open Sound 2014: Sonorous Kingdom, an exhibition about sound and vegetation.

Image: Raghavendra Rao, Visions of the living past 10, 2013, acrylic on canvas. Image courtesy of the artist.

Surrey Art Gallery

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www.surrey.ca/artgallery
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About Us

Established in 1975, Surrey Art
Gallery is a contemporary art museum
specializing in exhibitions and
education. Internationally recognized,
the Gallery showcases diverse artistic
practices – including digital and audio
art – by local, national and
international artists. Gallery
interpretive programs include talks,
symposia, demonstrations,
workshops and school programs, with
artists, educators and other
specialists. The Gallery offers courses
for all ages, and from introductory to
advanced levels. Since 2010, the
Gallery has showcased artworks at
Surrey Urban Screen, its satellite
venue in the City’s centre.

Exhibition: From Nature, Equinox Gallery

From Nature, Equinox Gallery

http://equinoxgallery.com/

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OPENING RECEPTION – FROM NATURE
Saturday, January 19th, 2 to 4pm

Gathie Falk, Winter Tree

Image: Gathie Falk, Winter Tree, 2012, Mixed Media  (installation view)

Please join us on Saturday, January 19th from 2 to 4pm to celebrate the opening of From Nature, an exhibition with works by Robert Adams, Karl Blossfeldt, Vija Celmins, Gathie Falk, Rodney Graham, Randy Grskovic, Geoffrey James, Evan Lee, Robert Longo, Jennifer Rose Sciarrino, Gordon Smith, Darren Waterston, Neil Wedman, Michael Wesik, and Hyung-Min Yoon.

 

Karl Blossfeldt, from Urformen der Kunst, 1928, Photogravures