About Richard Rhodes Dupont Projects
Launched in 2016 as part of the new Dupont St. gallery scene in Toronto, Richard Rhodes Dupont Projects is devoted to a developing exhibition program of contemporary Canadian art. Founding editor of C Magazine and editor of Canadian Art from 1996 through 2015, Richard Rhodes brings his expertise to exhibitions by emerging and established artists from across Canada and abroad. Rhodes offers audiences and collectors an informed critical eye that has launched and nurtured numerous careers in the Canadian art world over the past three decades. www.dupontprojects.com.
For more information:
Richard Rhodes Dupont Projects
1444 Dupont St.
Toronto ON M6P 4H3
Evan Lee, from Fugazi, 2015, archival pigment print
March 12, 2016 to April 9, 2016
Opening reception: Saturday March 12, 2pm to 4pm
Monte Clark Gallery is pleased to present an exhibition of new work by Evan Lee.
Lee’s new series Fugazi consists of visually stunning 5-by-5 foot prints created from digital scans of cubic zirconia, relatively inexpensive but high quality imitations of diamonds (“Fugazi“ is a slang term used in Mafia films for counterfeit diamonds.) The images are captured at a high level of detail and enlarged fifteen thousand percent to a scale that renders the gems’ internal appearance mesmerizingly random, distorted and fractured, while the effects of digital image-loss and artifacting emerge to aid in their visual transformation. The patterns of abstract shapes and reflected colours appear kaleidoscopic and at times groundless, an aesthetic that Lee manipulates further by constructing geometric backgrounds in response to the resulting visual space.
Lee’s project reflects on his earlier works, such as the Dollar Store Still Life series (2006), which also examined the economic and cultural values of fake and artificial consumer goods. Fugazi also continues Lee’s take on representations of psychedelia, illusion and optics, as explored in such earlier works as Every Part from a Contaflex Camera… (2006), and the Stain (2003) and Phoropter (2012) series. Lee’s practice has always been positioned both alongside and against the grain of photography, and Fugazi continues the artist’s image production in the avant-garde reaches of the post-photographic or camera-less digital realm. Contrary to the reproducible nature of photography, each of the Fugazi prints, made on fine art paper, exists only as a signed unique edition of one.
Alongside Fugazi, Lee will also present works from a complementary series entitled Ichiban. In these new works, Lee mixes paint and instant ramen noodles with other found objects to create experimental sculptures that consider the artificial nature of “instant” food, as well as reflecting on ephemeral form and temporality in the artworks themselves. Taken together, both Fugazi and Ichiban allude to the complex relationship between that which is “real” and that which is “artificial” in our contemporary culture and art.
Evan Lee lives and works in Vancouver, B.C. His first major solo exhibition “Captures” was held at the Presentation House Gallery in North Vancouver in 2006, and included catalogue essays by Jeff Wall and Peter Culley. Since then, Lee has exhibited in numerous museums and institutions including the Vancouver Art Gallery, the Art Gallery of Windsor, the Contemporary Art Gallery, the Surrey Art Gallery, the Richmond Art Gallery, the Confederation Centre for the Arts, the Liu Hai Su Art Museum, and at the Winnipeg Art Gallery as a Sobey Award Finalist in 2014. Lee’s work has been published in Canadian Art Magazine, Art on Paper, Border Crossings, Flash Art, Yishu Journal of Contemporary Chinese Art and numerous other venues.
TALK: SATURDAY JULY 12, 1PM
FOLLOWED BY OPENING RECEPTION: 2PM — 4PM
In Evan Lee’s solo exhibition of new works at Monte Clark Gallery, the artist recreates, transforms, and expands upon found news media images depicting protest and migration through sculpture, mixed media, and paintings.
In contrast to popular, ubiquitous images of revolution and provocation (such as Alberto Korda’s portrait of Che Guevara, or the graffiti works of Banksy), the found press images that Lee refers to are markedly non-iconic, from nameless and faceless Black Bloc protesters to migrants whose identities have been obscured by the press. Lee approaches these images from a perspective of speculation, creating artworks that either reconstruct or further obscure the subjects. This dual process amplifies the missing details and facts that are not included in the original press images or their accompanying news stories, pointing to an inherent confusion or lack of clarity surrounding the actual events.
This exhibition includes large-scale black and white paintings where silhouettes of marching Black Bloc protesters have been repeated in a motif that borders on abstraction; mixed media works where ink and gesture further obscure printed depictions of individual hooded and masked protesters; a 3D printed model of the Ocean Lady vessel which carried Tamil asylum seekers from Sri Lanka to Canada in 2009; earth-toned, classical style oil portraits of the same migrants created in composite from blurry or pixelated press images and online searches; and a video that recreates the burning of a Danish flag, which was originally enacted by protesters in response to anti-Muslim cartoons that were published in Denmark. The works engage in a dialogue with news media images of protest, the interpretation of these images, their biases and their influence.
Evan Lee lives and works in Vancouver, BC Canada. He has been published in Canadian Art Magazine, Art on Paper, Border Crossings, Flash Art, Yishu Journal of Contemporary Chinese Art and numerous other venues. Lee has recently exhibited at the Vancouver Art Gallery, the Surrey Art Gallery, the Presentation House Gallery, and the Richmond Art Gallery. Lee is shortlisted for the 2014 Sobey Art Award and will be exhibiting with the other finalists at the Winnipeg Art Gallery in the fall.
For exhibition previews, please contact Matt McGale
matt@monteclarkgallery | 604-730-5000
For further press info and images, please contact Lindsay Inouye
email@example.com | 604-730-5000